A Long Overdue Farewell
It’s been a
year and a half since I left 20th Century Fox and, until now, I hadn’t had the
time or the inspiration to formally say goodbye.
As a quick
backstory, after a few years at various creative jobs in advertising and production,
I started my career in the movie industry in February 2000 when I joined United International Pictures (UIP) as Media Manager.
The now gone
UIP distributed films from Paramount, Dreamworks, Universal Pictures and MGM.
Back then, I believed I had struck career gold by getting a job at the industry
I had always loved, so I was devastated when, less than two years later, I had
to leave and move to Miami, Florida, due to personal issues.
While I was
making that hard decision, a good friend (she happened to be my boss at the
time) told me that you had to move on and not dwell in the past, as nothing in
this industry (or the World, for that matter) was certain. Who would have guessed
those words would prove to be so prophetic?
I spent six
very interesting months in Miami, both very happy and very stressed, as my
first son was born, but I couldn’t secure a steady job and the bills began to
pile up.
As money
was running out, I got an unexpected call inviting me to return to Mexico to a
job at Fox (the same friend who told me about uncertainty had recommended me
and, for that, I will forever be grateful). That happened in 2003.
Joining Fox
felt like lightning had struck twice: it seemed incredible I had the
opportunity to get back to the movie industry!
I spent
over fourteen years there, first as Media Manager and then as Marketing
Director.
When I
joined, Tom Rothman and Jim Gianopulos were co-chairmen, while Paul Hanneman
and Tomas Jegeus ran international distribution.
I was
thrilled to work for the same studio that released films I loved growing up
with: the Planet of the Apes original films, Star Wars and Alien, among
countless other classics.
A few years
passed before I finally got the chance to visit the lot in Century City, right
next to what we called “Nakatomi Plaza” (the Fox Plaza building featured in the
first Die Hard film) as well as the retro-futuristic streets and pedestrian
bridges I watched invaded by simian rebels on Conquest of the Planet of theApes.
While
visiting for our periodic international summits, I had some very exciting and
unforgettable experiences:
I got to
meet Tom Cruise for the first time, as well as the cast from the original two Fantastic Four films. Sean Penn walked right by our table while having breakfast in a hotel in Santa
Monica. I attended a meeting with Gore Verbinski and, walking out, had a casual
bump into none other than Warren Beatty (a big thank you to our friend Wayne
Duband for introducing us). Ridley Scott and Oliver Stone, among many other
filmmakers, presented their films to us at the Zanuck and the Small Theaters. I
met and worked with Jeffrey Katzenberg and even had a quick chat during a cocktail party with
James Cameron at the Intercontinental Hotel… these are just a few of the many anecdotes
I fondly remember, and that’s not counting the huge amount of star talent (too
many to list here) we got to host in Mexico for various tours and premieres.
Walking
through the lot, I envied (in a good way) everyone lucky enough to work there
every day.
I loved the
larger-than-life murals adorning the walls with art from the Empire Strikes
Back, The Sound of Music, The Seven Year Itch, Die Hard, Young Frankenstein and
even The Simpsons!
I had lunch
a few times at the historic commissary and always made sure I made a stop to
buy a few souvenirs, books and Blu Ray movies at the small studio store (it was always a
treat to visit and get an employee discount!).
The studio
slowly began to change, first with the departure of Tom Rothman, followed by
the arrival of Stacey Snider (who, at first, I was thrilled to meet after reading
about her previous career) and the final nail in the coffin: the ultimate
departure of Jim G.
After that,
the writing was on the wall. You could feel things were stirring in the air,
and not in a good way.
For those
and many other reasons, I was both sad and relieved when I had to leave for the
last time the new but smaller Fox offices in Mexico City in September 2017 (we
had only moved there a few months prior from our nicer digs at the Emerald
Tower a couple of blocks away).
I left some good friends behind, but I knew
then, as I know today, that the memories I made there will keep me company ‘till
the last day of my life (and hopefully even after that… if you believe in such
things).
Soon after,
I was lucky enough to secure a job at Paramount (yes, unbelievably and against
all odds, lightning struck thrice!)
just at the same time as the news of the Disney/Fox takeover broke. It seemed I
had only experienced the first symptoms of what would become a terminal
condition: 20th Century Fox, as I had come to know it, would be no more.
I’m happy
to say I’ve stayed friends with many of the wonderful people I met at the
Studio, and I’m sure they will all land on their feet after the dust settles
(they are too talented not to).
I am proud to have been part of that amazing Studio’s story (serving there 14 of its 84
years). I have fond memories I will
always treasure and friends I know will be part of my life for a long time.
At
Paramount and Viacom we are hard at work creating the future of entertainment,
as the playfield and the players continue to shift and change -just like our
own Transformers- into a whole new, different beast.
The times
are a-changin’, as Bob Dylan once said.
People are
changing, entertainment is changing… but hopefully, there will always be a
place for us: As long as we actively seek for it, the final frontier will be
there waiting to be explored.
As for the
20th Century Fox that once was:
Thanks for
the memories.
As always, your thoughts though enjoyable, stir feelings. You deserve the best of luck: all decent, good human beings do. I am sure your future will always lead you on a happy path. There is no foice or fice, but you could be the coiner of new terms.
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